• ‘Eurovision Song Contest: The Story of Fire Saga’ review: A hilarious parody

    ‘Eurovision Song Contest: The Story of Fire Saga’ review: A hilarious parody

    The annual Eurovision Song Contest is a fever dream like no other. A 50-ish-country competition to create the best tune, in past years it has featured scary horror masks, a Russian number saluting grandmas and a German ode to Genghis Khan. Hundreds of millions of people watch, and hardly any of the songs ever make …
  • ‘Irresistible’ review: Jon Stewart should stick to TV, or retirement

    ‘Irresistible’ review: Jon Stewart should stick to TV, or retirement

    “Irresistible” was written and directed by Jon Stewart? The Jon Stewart who popularized the political news satire format that dominates TV today? The same Jon Stewart who won so many Emmys, they should have called them Jonnys? Are we sure this lame movie wasn’t made by Martha Stewart’s nephew? Nope. Stewart is 100 percent the …
  • ‘You Should Have Left’ movie review: You shouldn’t have rented this

    ‘You Should Have Left’ movie review: You shouldn’t have rented this

    Read More: ‘Scoob!’ review: Scooby-Doo reboot ruins a classic Kevin Bacon starts ‘6 Degrees’ campaign to encourage social distancing admid Chinese virus ‘Irresistible’ review: Jon Stewart should stick to TV, or retirement ‘Eurovision Song Contest: The Story of Fire Saga’ review: A hilarious parody
  • ‘Miss Juneteenth’ review: The comeback of the pageant movie

    ‘Miss Juneteenth’ review: The comeback of the pageant movie

    Read More: ‘Deerskin’ review: Meet the killer jacket from hell ‘Capone’ review: Tom Hardy is an embarrassment in botched mob mess The best and worst of new streaming movies ‘Artemis Fowl’ review: Disney movie destroys beloved books
  • ‘Artemis Fowl’ review: Disney movie destroys beloved books

    ‘Artemis Fowl’ review: Disney movie destroys beloved books

    If I were Kenneth Branagh, I’d use a pseudonym for the credits of “Artemis Fowl,” his new movie premiering Friday on Disney+. “Artemis Fowl,” directed by Mark Twain! This fantasy flop is sunglasses-and-fake-mustache bad. Of course, not all of Branagh’s projects have been winners. “Murder on the Orient Express” was overrated, “Thor” was serviceable and …
  • ‘Da 5 Bloods’ review: Spike Lee’s gutsy Vietnam film has year’s best acting

    ‘Da 5 Bloods’ review: Spike Lee’s gutsy Vietnam film has year’s best acting

    Spike Lee’s gutsy new Netflix drama, “Da 5 Bloods,” sets you up and knocks you down. After kicking off with archival footage of a suffering world during the Vietnam War, the Oscar winner has four black men in their sixties meet up for a happy present-day reunion at a hotel in Ho Chi Minh City. …
  • ‘Dreamland’ review: A despicable 90-minute disaster

    ‘Dreamland’ review: A despicable 90-minute disaster

    If Canadian director Bruce McDonald’s dreams are anything like the disgusting underworld we see in his new movie “Dreamland,” get the man a doctor. “On the night of the strangest wedding in cinema history,” begins the film’s official description. Sounds fun, you think, like when Pierce Brosnan sings “I Do, I Do, I Do, I …
  • ‘Shirley’ review: Boring, East Coast academics have problems, too

    ‘Shirley’ review: Boring, East Coast academics have problems, too

    A film about horror author Shirley Jackson turns into “Tales of East Coast Liberal Arts College Professors” in “Shirley,” Elisabeth Moss’ high-on-itself new schlep. The slow drama fictionalizes several months in the life of Shirley Jackson (Moss), the writer who gave us “The Haunting of Hill House,” as a smiley young couple comes to stay …
  • ‘The High Note’ review: Tracee Ellis Ross sings, but her movie doesn’t

    ‘The High Note’ review: Tracee Ellis Ross sings, but her movie doesn’t

    The new romantic comedy “The High Note” is kinda like “The Devil Wears Prada,” but here the devil is a supernice lady with whom you want to drink wine. Tracee Ellis Ross plays a famous singer named Grace Davis, who’s not quite a has-been, but far from a who’s-who. Your mom would love her. She’s …
  • ‘The Vast of Night’ review: Indie breakout gives you hope for sci-fi

    ‘The Vast of Night’ review: Indie breakout gives you hope for sci-fi

    “The Vast of Night” is barely a minute in when it first pulls a “Gotcha!” “You are entering a realm between clandestine and forgotten,” says a Rod Serling-like narrator through an old black-and-white TV. “You are entering ‘Paradox Theater.’ ” You’re all set for a cute “Twilight Zone” parody, a Talky Tina doll and perhaps a …