The state’s 2nd District Court of Appeal ruled that the jury misinterpreted a contract that it was the judge’s job to interpret anyway. It took away some $6.9 million that jurors had said Jones was owed for his production of “Billie Jean,” “Thriller,” and more of Jackson’s biggest hits.

The appeals court found that the jury wrongly granted Jones money from licensing fees, wrongly went beyond the 10% royalty rate Jones was owed for record sales, and incorrectly granted Jones money for remixes of Jackson’s master recordings.

The court kept intact $2.5 million of the award, which Jones said he was owed for the use of his masters in “This Is It” and other fees.

The court also rejected a counter-appeal from the 87-year-old Jones arguing that the trial court should have allowed him to make a claim of financial elder abuse.

Jones, who was already a music business giant when he produced the classic Jackson albums “Off the Wall,” “Thriller” and “Bad,” had sought $30 million from the estate when he first filed the lawsuit in 2013.

“Quincy Jones was the last person we thought would try to take advantage of Michael Jackson by filing a lawsuit three years after he died asking for tens of millions of dollars he wasn’t entitled to,” Jackson attorney Howard Weitzman said in a statement. “We knew the verdict was wrong when we heard it, and the court of appeal has completely vindicated us.”

A representative for Jones did not immediately reply to an email seeking comment.

Jones said in a statement at the time of the verdict that the lawsuit “was never about Michael, it was about protecting the integrity of the work we all did.”

On the stand during the trial, Jones was asked by Weitzman whether he realized he was essentially suing Jackson himself.

Jones angrily disagreed.

“I’m not suing Michael,” he said. “I’m suing you all.”

The trial centered on the definitions of terms in the two contracts Jackson and Jones signed in 1978 and 1985.

Under the deals, for example, Jones is entitled to a share of net receipts from a “videoshow” of the songs. The Jackson attorneys argued that the term was meant to apply to music videos and not feature films like “This Is It.”

The film was created from rehearsal footage for a comeback tour that Jackson was working toward when he died in 2009 at age 50.